In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.

The film’s plot is based on a true story about a 10-year-old boy from a village, Ilya,whose father is killed. The criminal remains unpunished. Nobody around this situation is particularly worried, except the child, who arranges a real hunt for the murderer.

Morality clashes with ceremony and things go awry.

After a quiet murder seen by only three people, two avengers bring to life the idea of a ghost in attempt for justice.

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The Joffrey Ballet's 1987 production of Vaslav Nijinsky and Igor Stravinsky's The Rite of Spring used reconstructions the original sets, costumes, and choreography from the 1913 production.

This film came into being on a farm in the village of Hakushu, Min Tanaka's home. Min Tanaka is a very distinctive personality of Japanese alternative theatre in which the mind questions the tongue and so the body becomes the tongue. Min Tanaka's dance is able to speak even to those who know nothing about Japan and Japanese art. Perhaps it is because, on their road to discovery, Min and his dancers probe deep down to the roots of the culture of all peoples, to the time when we were not yet Europeans and they were not Japanese.

Characters from Haitian folklore come to life telling their story of ritual, ceremony and celebration. All wait to be overcome by the female spirit Erzuli. Who will be chosen?

...Dancing to the border of exhaustion. Dressed in little, the black earth sticks to their skin. Yes, to the point where it hurts. A document of early Pina Bausch, an authentic recording of one of the most outstanding choreographies of the 20th century.

Le Sacre du Printemps is a ballet and orchestral concert work by Igor Stravinsky. The music achieved equal if not greater recognition as a concert piece and is widely considered to be one of the most influential musical works of the 20th century. This was a production of Théâtre Mariinsky - Saint-Pétersbourg.